A friend linked me to this post. Now I'm done with Part 1 of the piece, courtesy of a very convenient cheat sheet (I really don't have time to read notes right now @_@).
I could play Part 1 forever. It's one of those progressions where I could just linger and float and keep on playing.
I was sure I have heard the song somewhere, the progression was familiar anyway. Now, how to add a violin to the arrangement?
Showing posts with label progress. Show all posts
Showing posts with label progress. Show all posts
Saturday, May 11, 2013
Monday, April 1, 2013
Making Progress III: Flamenco x3 x6
Progress, definitely! Re: flamenco triplet, day 6. I can play successive strokes without feeling any pain on my right hand. Switching down and up strokes isn't so weird now too. The trick: minimize excess movements and to keep the thumb out. I don't get trapped in between strings anymore too. Gaaah I wish I could just record it. I wish I recorded the whole thing. The day before yesterday was breakthrough day because it was the first time I made successive strokes without errors. I think it was also the day when my right hand mid and ring finger finally got the rhythm. Right now, I'm just trying to develop consistency and endurance.
Aaaand switching chords (following the Spanish-y progression E-F-G-Am) with my left hand. Since starting I've used my left hand as an anchor, mostly muffling by the strings. The triplet is crazy, and with a guitar the size of mine its really difficult to stabilize the craziness. But once my forearm became more settled and steady (which happened around breakthrough day, too), I found it easier to switch chords.
Once I get the hang of the x3, I'll try other stroke progressions: vv (downMidRing-downThumb) and v^ (downT-upT). Then more complicated patterns: vv^ vv^ v^ (x3-x3-downTupT). Then off to accents, then percussive effects, then THE WORLD!
Omigash so excited!
Aaaand switching chords (following the Spanish-y progression E-F-G-Am) with my left hand. Since starting I've used my left hand as an anchor, mostly muffling by the strings. The triplet is crazy, and with a guitar the size of mine its really difficult to stabilize the craziness. But once my forearm became more settled and steady (which happened around breakthrough day, too), I found it easier to switch chords.
Once I get the hang of the x3, I'll try other stroke progressions: vv (downMidRing-downThumb) and v^ (downT-upT). Then more complicated patterns: vv^ vv^ v^ (x3-x3-downTupT). Then off to accents, then percussive effects, then THE WORLD!
Omigash so excited!
Friday, March 8, 2013
Making Progress II (?)
Actually, I'm not. The last one I learned is still Tarrega's Adelita. Saving up for a copy of Jose Valdez's arrangements. I saw a few and more at National Bookstore SM North EDSA branch. Sooo, if you wanna learn a few classical pieces (and if you hate dislike are not yet used to writing and/or reading notes) head on there.
A violinist friend also mentioned to look out for sheets at Sound Essentials. If you're a QC person, there's a branch over at SM North EDSA. Haven't gone there yet, though.
What have I been doing? Besides regurgitating my basic repertoire (which I haven't mastered yet), I'm playing substitute-kudyapi, an indigenous Filipino instrument. Here's a sampler from master Samaon Sulaiman, whom I had the privilege of watching and recording ... er, 3 years ago? He was an imam, GaMaBa awardee, master kudyapi player and, yes, town barber. He passed away 2 years ago, and I count myself lucky to have seen him play live.
Why "substitute-kudyapi?" I don't own one, though I would love to acquire one in the future. If and when I do, I think I should apprentice under an experienced player. The kudyapi isn't just an instrument -- it's a work of art and a cultural artifact. It's not something one just learns from YT. Looks easy, but it is so not. I don't think even experienced guitar soloists can play hammer-ons/pull-offs that fast, plus play percussion with the right hand. And I don't think guitarists can do it on their shoulders, hahahha!
Anyway, to make your own substitute-kudyapi, grab your acoustic/classical guitar and tune the 1st and 2nd strings to C. So you have EADGCC. You can try other combinations, as long as the sound comes out right in your ears (I think). Don't mind strings 3-6, and you won't need to muffle them. Stroke direction is upwards. I've seen a few play downwards, but the standard is upwards. I'm not really sure if this stroke direction's strictly the traditional way, but it makes sense since string 1 serves as melody and string 2 the drone. Keep this in mind: kudyapi is a 2-stringed drone and melody instrument. Only the lower string is fretted.
Some players use a finger pick, but long nails are okay. We had a few kudyapi in Kontra-Gapi's stockroom, so at least I had the chance to play the real thing. It was painful on the fingertips, and it was awkward to carry and hold. But it was simple and fun, and I didn't feel at all afraid to improvise a tune.
A violinist friend also mentioned to look out for sheets at Sound Essentials. If you're a QC person, there's a branch over at SM North EDSA. Haven't gone there yet, though.
What have I been doing? Besides regurgitating my basic repertoire (which I haven't mastered yet), I'm playing substitute-kudyapi, an indigenous Filipino instrument. Here's a sampler from master Samaon Sulaiman, whom I had the privilege of watching and recording ... er, 3 years ago? He was an imam, GaMaBa awardee, master kudyapi player and, yes, town barber. He passed away 2 years ago, and I count myself lucky to have seen him play live.
Why "substitute-kudyapi?" I don't own one, though I would love to acquire one in the future. If and when I do, I think I should apprentice under an experienced player. The kudyapi isn't just an instrument -- it's a work of art and a cultural artifact. It's not something one just learns from YT. Looks easy, but it is so not. I don't think even experienced guitar soloists can play hammer-ons/pull-offs that fast, plus play percussion with the right hand. And I don't think guitarists can do it on their shoulders, hahahha!
Anyway, to make your own substitute-kudyapi, grab your acoustic/classical guitar and tune the 1st and 2nd strings to C. So you have EADGCC. You can try other combinations, as long as the sound comes out right in your ears (I think). Don't mind strings 3-6, and you won't need to muffle them. Stroke direction is upwards. I've seen a few play downwards, but the standard is upwards. I'm not really sure if this stroke direction's strictly the traditional way, but it makes sense since string 1 serves as melody and string 2 the drone. Keep this in mind: kudyapi is a 2-stringed drone and melody instrument. Only the lower string is fretted.
Some players use a finger pick, but long nails are okay. We had a few kudyapi in Kontra-Gapi's stockroom, so at least I had the chance to play the real thing. It was painful on the fingertips, and it was awkward to carry and hold. But it was simple and fun, and I didn't feel at all afraid to improvise a tune.
Friday, February 22, 2013
Making Progress: Right Hand Sixteenths
At last, I'm making good progress on this song I've been trying to learn since forever. When I wrote that blog post, I was stuck with the sixteenths. My right hand (P I M) just can't keep up with the movement and speed. Now I'm very proud to say that that part is done! I'm anchoring my ring finger on the sounding board though; I don't know if that's right by classical playing standards (I don't think it is, but it's working for me). I'm hoping that this exercise will help me when I get to tremolo (in 10 years, maybe). I'm moving on to practicing making a smoother transition between the left hand positions. The transitions from 1st to 2nd position, and from 2nd to 3rd position are the most difficult.
But after the sixteenths, everything else seems so much easier to execute. I am anticipating another plateau once I get past left hand transitions and on to the second movement of the song, the part where everything else is played one octave higher. I'm not very good past the 12th fret; I'm having difficulty pressing and sustaining a note. But I'm so glad I'm using a classical guitar now. I would have given up a long time ago if I was still using an acoustic.
As for the other parts, I'm doing fine. Still need more practicing though. With the rhythm, I'm trying to slow down for better expressivo. As for the melody, I'm trying to memorize the notes. My hammer-ons suck, sooo I have a long way to go with Tarrega's Adelita. I'm still using the 2-guitar version, but maybe I'll try melding the two, like in the video. Try searching for Comptine d'un autre ete lapres midi on YouTube and you'll find that almost no 2 guitarist play this song the same way. Not that that helps, but at least it's saying anyone can tab this song. With enough patience, anyway. I remember a period when I did have patience and transcribed this song, both melody and rhythm, based on the 2-guitar version I linked above. But I can't remember if I did write the notes down before my patience finally ran out. Oh well.
Regarding my progress on classical pieces... well, I haven't really made much since I've finished Adelita. I promised I would do Bach's Jesu, Joy of Man's Desiring, but I can't seem to convince myself to write the sheet music down on my notebook.
Gaah! I really hate reading sheet music. But I must if I want to learn this. Just gimme a few more days to sulk then I'll carry my a**, thank you very much.
March 13, 2013. Uploaded video. Trying to play the sixteenths without resting my ring finger on the sounding board. But I just had to in this video. And still sulking through sheet music.
But after the sixteenths, everything else seems so much easier to execute. I am anticipating another plateau once I get past left hand transitions and on to the second movement of the song, the part where everything else is played one octave higher. I'm not very good past the 12th fret; I'm having difficulty pressing and sustaining a note. But I'm so glad I'm using a classical guitar now. I would have given up a long time ago if I was still using an acoustic.
As for the other parts, I'm doing fine. Still need more practicing though. With the rhythm, I'm trying to slow down for better expressivo. As for the melody, I'm trying to memorize the notes. My hammer-ons suck, sooo I have a long way to go with Tarrega's Adelita. I'm still using the 2-guitar version, but maybe I'll try melding the two, like in the video. Try searching for Comptine d'un autre ete lapres midi on YouTube and you'll find that almost no 2 guitarist play this song the same way. Not that that helps, but at least it's saying anyone can tab this song. With enough patience, anyway. I remember a period when I did have patience and transcribed this song, both melody and rhythm, based on the 2-guitar version I linked above. But I can't remember if I did write the notes down before my patience finally ran out. Oh well.
Regarding my progress on classical pieces... well, I haven't really made much since I've finished Adelita. I promised I would do Bach's Jesu, Joy of Man's Desiring, but I can't seem to convince myself to write the sheet music down on my notebook.
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| Homework (credit to) |
Gaah! I really hate reading sheet music. But I must if I want to learn this. Just gimme a few more days to sulk then I'll carry my a**, thank you very much.
March 13, 2013. Uploaded video. Trying to play the sixteenths without resting my ring finger on the sounding board. But I just had to in this video. And still sulking through sheet music.
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